Saturday, March 25, 2023

jonathanWick4 quick afterthought

 the movie was better than I think.  but there are places I felt dragging.  this is basically gun fu style action.  Just guns guns guns.  I felt donnieyen did not show up often enough.   but when he showed up, he showed up in style.  I really liked when he used wingchung  in the kitchen, but it's less than a second.  


This movie keep reminding me of many different movies, like hobo with a gun(excessive gun play); matrix (neo and mopheus reunited...); equilibrium(gun fu); and many others.  When I saw the train station scene, I almost fell off my chairs, it's pretty much matrix w/ locksmith...  lol!  


I feel the tracker is odd, and out of place.  But I guess audience likes dogs, so they find a way to bring in an animal.  I do love JohnWick saved the dog scene though.   the Arc de triomphe de l'Étoile scnene to me was excessive, but I guess it's a build up scene.  It just bored me to no end.  And car crashing into johnwick was hard to watch...  I know it's an inside joke, but, the drag...  


This series except the first one is really one of those movie styles over contents.  People seemed to focus on the action of the movie.  But I rather say that the styles or atmosphere they created for the certain scene was awesome.  From first movie, the shower scene; second movie, the bathtubsuicide scene; this movie, the card scene.  High flair of styles, very impressive.  The card scene sequence was particularly sweet.  


The physical stunt, or the fight scene wore thin for me eventually.  I know they incorporated a lot of martial arts, almost like a world fair of it.  But to me the impact was thinned out.   But maybe it's because I got tired of watch all 4 movies in a very short period.  It's a common thing though, I think it's happened to Taken series too, or equilizer series as well.  


I think the movie's success lies in creating a world of its own.   For some reason, I think this world would fit well with a vampire theme...  lol  Style...  like the underworld.  It used a lot of religious symbols.  a lot, almost everywhere.  And very European medieval.  


I felt the osaka scene sucks, because they want to bring some Japanese flavor, but very superficial.  again, nowadays, whenever a modern non-european cultures shows up on the big screen,  they all felt like an european dress up party.  


The movie was not bad in its own right.  The imax we sat in was awesome, the chairs shakes.  But it was hilarious that before the movie starts, the announcer said the popcorn stand will be closed in 10 min after the movie starts, but the bathroom is open for use in he duration of the movie.  He also told us to use a designated exit after finishing the movie.  Then we found out, that exit directed us right to the parking lot.  It's kind hilarious, my friends kept saying it felt like an old old days.  I guess it's still a grand thing to go to movie theatres inMainlandChina...   

Thursday, March 23, 2023

Movie afterthought

 TheBanshees ofInisherin


I watched this movie about a month ago.  I'd want to write some thoughts about the movie.  

For it left quite an impression on me.  But I can't tell what is the after taste left in my mouth.  

I really like the movie that much I know.  It's quite engrossing all the way through.  I never thought 

it was too long.  If anything, it makes me nervous.  I never know what to expect next.  The characters

in the movie are all  very distinct and memorable.  


It has a fairy tale quality.  Talking about the strange situation in a small village, where people can not

get out.  I feel the protagonist grows at the end of the movie.  But it has such a cost.  It almost has a 

zen air to it.  


le sigh, my thoughts failed me here.  

Monday, March 20, 2023

電影觀後感

我剛剛驚覺我最近看了不少電影。  昨天看了一部日本電影, 切腹。  才看了開頭,就覺得熟悉,繼而發現,這已是我看過的了。  實在是一部很棒的影片。  再看一次, 更好。  我看了一些影評,介紹, 和心得。  他們都提到這部片子有點像羅生門,因為都屬於倒述型的影片,各人對同一件事上,說出自己的經歷和看法。  我之前看的是英文翻譯, 這次看的附上了中文翻譯。  我得提一提這個中文翻譯。  實在滿不錯的, 很文言的翻譯。  一定是故意的,可能更符合原來的日本語, 我有點感動。  如此用心的翻譯, 真是太好了。  可以看得出, 翻譯的人不僅僅是在文句上用心, 而且也看得出他對日本當時的文化也下了一番功夫。  但我有兩點覺得可以改進的地方,就是斷句和一些翻譯的語句。  斷句,因為有些句子太長,文言看得很辛苦,而且看得速度跟大上。  有點可惜。  另外, 我覺得有些文言文的地方我覺得奇怪。  許多用字有點倒裝得感覺。  我說改進,毋寧說是我自己看得辛苦而希望輕鬆一些而說得。  這裡面我相信一定有許多我不懂的地方。  非常感謝有如此用心得群體在做至一件事!!  

這故事的敘述方式真的是引人入勝,他和羅生門不大一樣。  因為羅生門的觀點有至少有四五個人。  這裡只有兩個。  而其中一個只是個引子,這個引子更大程度上用了圖像給觀眾更大的震撼,而不是腳本裡的台詞。  真正的關鍵在第二次敘述。  導演和據作者對於一整個電影得節奏和進程掌握得穩穩的,該快該慢,是斷是續,實在很了不起。  

另外,我覺得以歷史劇而言,這是一部典範。  因為歷史劇並不只是把過去的價值觀重新敘述,而是要有一個穿越古今的某種價值的呈現。  在這裡有很多令我印象深刻的場面,但在我看來,最重要的場面實在是當下屬回來報信,說那些無來應卯的武士其實都是被打敗剃了頭,羞愧無法見人。  結果主管說,你應該當場就叫他們切腹。  之後還說你們儒生居然連這個都不懂!  這裡的政治意涵是深遠的。  如果你去看湯姆克魯斯的最後的武士,你所看到的就是那傳說中的武士精神。  那似乎是自發的,這裡則是被強迫的。  最後的武士是浪漫的, 切腹這電影是現實的, 這兩部電影似乎不相干, 但是相干地方在於,當你被強迫浪漫的時候, 浪漫變成了恐怖的現實。  

這真是一部好電影。  


-----------------------------------------------


這兩三天也在趕看將。維客。  看了一和二,等著看三。  我不是很喜歡將。維客。  我也不知道為啥。  我的印想裡這系列電影,有點太容易了。  雖說主角每次都是一身傷,我也看得出來動作場面設計得很精心。  有些過場我也滿喜歡的。  像是主角在第一集裡被綁在椅子上時, 仍然強悍的氣勢; 第二集裡, 女頭目的死亡場面; 還有第三集裡的中國商店還有那些狗狗特技,我都很喜歡。  但是, 整部戲裡卻沒辦法有甚麼大的感動。  當然, 從看一遍,還是多了一些觀察, 但即使如此,我覺得這不過是一個 B 級動作片。  動作片而言還是不錯的。  要進入 A 級的話, 還是需要讓我感到震撼。  這系列目前還沒做到這一點, 卻是越來越像是往 FastandFurious 系列走。  我一個朋友約我去看首印所以我才來溫習。  

============================


我最近也看了一部叫做 一個叫奧頭的人。  前不久我才看了原版的瑞典電影。  好來屋版是湯姆漢克斯演的。  兩部都很好看。  我覺得好來屋版的結局比較好,因為我看懂了。  瑞典版的我覺得結局不夠清楚。  但是瑞典版的在人物的鋪陳上飽滿的多, 多滿多的。  就這一點上,我更喜歡瑞典版。  

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Tuesday, February 28, 2023

random

 34 videos I've posted since 10/18/22.  Most of them are 餘音, a few are something else.  

Now it's the end of Feb 2023, it's been 4 months and half.  I thought it was okay.  Okay being that I did not drop the ball after I finished growing up.  My mom loves 餘音, that's one of the reason I am doing it.  My sister does not like it so much, she does not understand how my mom loves it so much.  I find it intriguing.  

The point my sister said is that she does not see a lot of interactions between the father and daughter that could briny out such a deep connection between the two.  And that deep connection is actually the pivot point of the whole story.  She feels that it's very much one sided, almost conjured up all by the daughter.  

I think that is a valid point.  But I also see something that's beyond what was written down.  The fact that the daughter has such a heavy feeling for her dad even years after the death, I feel the first time author probably did not develop the whole situation as fully as she'd hope to.  I think there could be things more fully developed.  Though to me, some of the words the father offered to the daughter also showed a deep connection towards the daughter.   In fact, those are my favorite quotes from this book.  But I feel those quotes need to be thought over slowly after some experience in life to understand it.  

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今年的恩逼ㄟ很有趣。  籃網拆夥了, 詹姆士王受傷了,嚕卡和凱利成了隊友,凱分杜蘭加入太陽,勇士連進不進的去季後賽都不確定了,由磯崎的隊伍在西部排名第一。。。

恩逼ㄟ 越來越像三國。  這個故事不是因為戰事,而是角色的動向。  我現在也才知道以前中國的歷史是怎麼賣的。  因為恩逼ㄟ的媒體主要也是在賣球星,而不是籃球這個運動。  當然,只要恩逼ㄟ大賣, 籃球也會有越多人玩就是了。  


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上個星期六,榕從台灣到美國為了他弟弟楊楊的卅歲生日。  


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Sunday, February 26, 2023

論說謊的人---(法) 蒙田

 Montaigne's Essay "On Liars"  論說謊的人---(法) 蒙田  (翻譯來自 散文欣賞 沉英編, 這本書大多有翻譯者,但偏偏這篇沒有)


Michel Eyquem, Sieur de Montaigne(1533-1592)  米修。蒙田(1533-1592)



There is no man so unsuited for the task of speaking about memory as I am, for I find scarcely a trace of it in myself, and I do not believe there is another man in the world so hideously lacking in it. All my other faculties are poor and ordinary, but in this I think I am most rare and singular and deserve to gain name and fame thereby. 

再沒有人比我更不宜於(適合)誇說(誇耀)自己的記憶的了。  因為我幾乎找不到它的一點痕跡,我不信世界上還有像我的記性這麼壞的。  我的其他稟賦都平平常常,唯獨在這一點上,我認為我是非凡而少有的,值得因此享受一種聲譽。  


Besides the natural inconvenience that I suffer on this account-for assuredly, considering how necessary it is, Plato was right in calling memory a great and powerful goddess-in my country, when they want to say that a man has no sense, they say that he has no memory; and when I complain of the shortcomings of my own, people correct me and refuse to believe me, as if I were accusing myself of being a fool. They can see no difference between memory and intellect. 

記性欠佳除了感受天然的不便利之外,有時還要忍受冤枉。  在我的家鄉,要說一個人無意識(不合理)時,總愛說他沒有記性; 每逢我對人訴說我這弱點,他們便要嘲笑我,無論如何也不肯相信,彷彿我在控告自己是瘋子似的,因為在他們心目中,記憶和智慧絕對是一件事。  


This makes me look much worse off. But they wrong me, for experience shows that, on the contrary, excellent memories are often coupled with feeble judgments. They also wrong me in this, that the same words which indicate my infirmity, signify ingratitude as well-and I am nothing if I am not a good friend. They blame my affections instead of my memory and turn an involuntary defect into a wilful one. "He has forgotten this request or that promise," they say. "He doesn't remember his friends. He did not remember to do this, to say that, or to keep quiet about the other, for my sake." Certainly I am prone enough to forgetfulness, but as for neglecting, out of indifference, a service which a friend has asked of me, that I do not do. Let them be content with my misfortune and not turn it into a kind of ill will, a kind quite foreign to my character. 

這使我吃虧不少,可是他們實在是不對的,因為經驗證明,極好的記憶力往往配上極壞的判斷力。  還有, 我雖然做甚麼都不行,卻極夠朋友,他們苛責我這弱點,未免有點不夠交情。  他竟因我的記性而懷疑到我的感情,把天然的遺憾視為良心的欠缺。  他們常說:「他把別人的委託和自己的許諾都忘了,他完全不想到朋友,他完全不顧到我,不想想應該說什麼,或是隱瞞什麼。」  我很健忘,這是毫無疑義的。  但因不關心而忽略朋友之託,卻不是我的本性。  願大家體諒我的不幸,別誤認為惡意,尤其是這一種與我的天性絕對相反的惡意。  


But I find some consolation, first because I have derived from this evil my principal argument against a worse evil, which might have taken root in me: the evil of ambition. For lack of memory is an intolerable defect in anyone who takes on the burden of the world's affairs. 

我倒也有我的慰藉。  第一, 這一個毛病矯正了另一個易犯而更壞的毛病,就是野心; 因為對於一個想包攬世事(世界大事)的人,缺乏記憶是最難堪的弱點。  


Then, as several similar examples of nature's workings show, she has generously strengthened other faculties in me in proportion as this one has grown weaker. I might easily have let my intelligence and judgment follow languidly in other men's footsteps, as all the world does, without exerting their own power, if other people's ideas and opinions had ever been present with me by favor of my memory. 

自然界進化的現象中,有許多例子告訴我們: 大自然往往加強我們別的天賦以補救某種稟賦的不足。  如果不是這樣,我的理智與判斷力將不能盡量發揮它們的才能,很容易像大多數人那樣,心理時時刻刻記著別人的創見和意旨,被引導著懶懶散散地去追別人的足跡。  


Again, my speech is consequently briefer, for the storehouse of the memory is generally better stocked with material than that of the invention. If my memory had been good, I should have deafened all my friends with my chatter, since any subject that calls out such powers as I have of argument and development warms and extends my eloquence. This would have been lamentable, as I have learned in the case of some of my intimate friends. In proportion as their memory gives them a complete and firsthand view of their subject, so they push their narrative back into the past and burden it with useless details. If the story is a good one, they smother its virtues; if it is not, you curse their fortunate powers of memory or their unfortunate lack of judgment. Once one is well on the road, it is difficult to close a discourse and break it off. There is no better way of proving a horse's strength than by pulling him up short and sharp. 

因為記憶不好,我的話總是比較簡短。  記憶的貨倉(倉庫)比創見的貨倉(倉庫)容易充塞物品,如果我的記憶對我優待,我將會喋喋不休地震破朋友們的耳鼓,因為無論談起什麼都會引動我發揮這小小才幹,激發我的雄辯。  多麼可哀呵!  我竟親眼見過幾個朋友,就是這個樣子。  因為記憶把題材原原本本地供給他們,使他們把故事往後追溯得那麼遠,去附上了如許(許多)無謂(的)枝節。  假使這故事本來很好, 這樣一來,好處全被窒死(窒息,沒了); 假如本來就不好呢,那你就不知應該詛咒他們幸而還有的記憶力, 還是應該同情他們不幸缺乏的判斷力了。  一走上高談闊論的大路之後,要停止及截短是很難的事。  再沒有什麼比那驟然站住更能顯出馬的力量的。  


Even among men who keep to the point, I find some who would like to break off but cannot. While they are searching for a place at which to stop, they go maundering and trailing on like a man who is losing strength. Particularly dangerous are old men who retain the memory of past events but do not remember how often they have repeated them. I have known some very amusing tales to become most tiresome when told by some gentlemen whose whole audience has been sated with them a hundred times. 

就是在那些說話切題的人當中,我也認識好些雖想而不能在他們的路程中驟然停止。  他們一面在腦子裡搜尋註腳點,一面口中仍喃喃不已,就像一個要昏倒的人還曳著腳步一樣。  老頭子尤其可怕,他們對於過去記憶猶在,卻不記得現在已重述(重復)了多少遍。  我知道有好些很風趣的故事在某(公爵)爵士口中變成了討厭,他的朋友沒有一個不被這故事灌注過一百次。  


I find some consolation, also, in the reflection that I have, in the words of a certain ancient author, a short memory for the injuries I have received. Like Darius, I should need a prompter. Wishing not to forget the insult he had suffered from the Athenians, the Persian king made one of his pages come and repeat three times in his ear, each time he sat down to table: "Sire, remember the Athenians"; and it consoles me too that the places I revisit and the books I reread always smile upon me with the freshness of novelty. 

第二, 我缺乏記憶所給我的安慰是, 正如一位古人所說, 容易忘記別人的侮辱。  我需要當頭棒喝,和達里烏(古代波斯王大流士)一般,為(了)要不忘記他從雅典人那裏所受的恥辱,教一個僕人每當他吃飯的時候,向他耳邊連喊三聲:「主人呵, 別忘了雅典人!」  除此之外,還有一點好處是: 我重見(遊)的地方和重讀的書籍永遠帶著新鮮的姿態向我微笑。  


Not without reason is it said that no one who is not conscious of having a sound memory should set up to be a liar. I know quite well that grammarians make a distinction between telling an untruth and lying. They say that to tell an untruth is to say something that is false, but that we suppose to be true, and that the meaning of the Latin mentiri, from which our French word for lying derives, is to go against one's conscience, and that consequently it applies only to those who say the opposite of what they know; and it is of them I am speaking. 

記憶不強的人切勿(千萬別)學人撒謊,這話實在說的有理。  我知道那些文字學家把 「說假」 和撒謊分開: 「說假」 是說一件假的而自以為是真的; 至于 「撒謊」 (這個來自拉丁語的法國詞彙)這個拉丁字(也就是法文所由來)的定義(,它的定義), 卻是瞞住良心說話,因此只用於那些言與心違的人,也正是我現在所論及的。  


Now liars either invent the whole thing, or they disguise and alter an actual fact. If they disguise and alter, it is hard for them not to get mixed up when they refer to the same story again and again because, the real facts having been the first to lodge in the memory and impress themselves upon it by way of consciousness and knowledge, they will hardly fail to spring into the mind and dislodge the false version, which cannot have as firm or assured a foothold. The circumstances, as they were first learned, will always rush back into the thoughts, driving out the memory of the false or modified details that have been added. 

這種人有時是虛構整個事件(一整個事情),連枝帶葉,有時是改變或修飾那原是(原來有)真實基礎的事物。  那些(被)改變或修飾的(事物), 如果要常常覆述,就很難不露馬腳,因為真實是先進入他們記憶中的, 已(已經)由概念與認識的媒介印在(腦袋裡)上面,自然而然會顯露給我們想像,驅逐著那立足沒有那麼穩固的虛偽(假象), 把添上去的假冒而模糊的枝節(給)消滅。  


If liars make a complete invention, they apparently have much less reason to be afraid of tripping up, in as much as there is no contrary impression to clash with their fiction. But even this, being an empty thing that offers no hold, readily escapes from the memory unless it is a very reliable one. I have often had amusing proof of this, at the expense of those who profess to suit their speech only to the advantage of the business in hand and to please the great men to whom they are speaking. The circumstances to which it is their wish to subordinate their faith and their conscience being subject to various changes, their language has also to change from time to time; and so they call the same thing gray one moment and yellow the next, say one thing to one man, and another to another. Then, if these listeners happen to bring all this contrary information together as a common booty what becomes of all their fine art? Besides, they trip up so often when they are off their guard. For what memory could be strong enough to retain all the different shapes they have invented for the same subject? I have seen many in my time who have desired a reputation for this subtle kind of discretion, not seeing that the reputation and the end in view are incompatible. 

至於那些完全虛構的, 沒有相反的印象搖動它們的虛偽, 似乎沒有那麼容易被人覷破, 但也不盡然, 因為無實質的虛體,如果插根未牢, 就易 (容易) 為(被)記憶(所) 忽略遺漏。  關於這點,我有很多有趣的經驗, 我發覺吃虧的總是那些顧及自己事業利益或觀察大人物的臉色而措詞的人, 因為他們想用以束縛他們的信義及良心的種種情景,時常變動,他們的話也不能不跟著轉移。  於是同一樁事, 他們今天說灰,明天說黃; 對這人說這樣, 對那人說那樣; 


這些人如果偶然把他們所(得到)的矛盾消息像贓物似的合攏在一起(如果那些說謊者的聽眾聚在一起,把他們聽到的謊言像贓物一樣收集在一處), 這巧妙的伎倆, 結果又將如何呢?  並且稍不留神便自打嘴巴; 因為什麼樣的好記性能容得下他們對每件事所捏造的種種呢?  

(即使說謊者沒有被別人揭穿,在他們不經意的時候,仍常常露出馬腳來。  這是因為沒有人的腦袋可以裝的下他們為某一件事物所發明的那麼多的形狀(這麼多的謊話)。  在我這一生當中,有許多人都希望自己有這樣 「聰明」的名聲,卻看不出說這名聲和他們所希望的結果是如此的相違。)


Lying is indeed an accursed vice. We are men, and we have relations with one another only by speech. If we recognized the horror and gravity of an untruth, we should more justifiably punish it with fire than any other crime. 

說謊確實是可詛咒的惡習。  人之所以為人, 以及人與人所以能團結, 全仗語言。  如果我們認識說誑的危害與嚴重, 我們將會不惜用火來追趕它, 這卻(的確)比對任何罪過都應該。  


I commonly find people taking the most ill-advised pains to correct their children for their harmless faults and worrying them about heedless acts which leave no trace and have no consequences. Lying-and in a lesser degree obstinacy-are, in my opinion, the only faults whose birth and progress we should consistently oppose. They grow with a child's growth, and once the tongue has got the knack of lying, it is difficult to imagine how impossible it is to correct it. Whence it happens that we find some otherwise excellent men subject 'to this fault and enslaved by it. I have a decent lad as my tailor, whom I have never heard to utter a single truth, even when it would have been to his advantage. 

(尤其是,)我覺得人們往往白費功夫去無謂地懲罰小孩的無辜小過, 為(了)毫無印象和影響的無意識舉動去折磨他們。  在我看來, 只有撒謊, 其次還有剛愎, 應該極力殲滅它們的萌芽和滋長。  因為它們會隨著小孩而長大。  舌端(頭)一度(旦)向那方面(向)伸展之後, 說也奇怪,任你怎樣也不能把它拉回來的。  所以我們常見在其他方面非常(很)誠實的人,仍不免屈服受制於這個惡習。  我認識一個品行良好的成衣匠(裁縫), 從未聽見他說過半句真話, 即使是於他有利的時候。  


If, like the truth, falsehood had only one face, we should know better where we are, for we should then take the opposite of what a liar said to be the truth. But the opposite of a truth has a hundred thousand shapes and a limitless field. 

倘若像真理一般, 虛妄只有一副面孔, 倒也好辦, 我們可以把慣於說誑的人所說的反面當真實, 但它的背後卻有千萬副面孔和無限制的田地。  


The Pythagoreans regard good as certain and finite, and evil as boundless and uncertain. There are a thousand ways of missing the bull's-eye, only one of hitting it. I am by no means sure that I could induce myself to tell a brazen and deliberate lie even to protect myself from the most obvious and extreme danger. 

培達格里派的哲學家認為善是確定而有界限的, 惡是無限制無標準的。  千百條路引我們乖離, 只有一條引我們抵達目的。 


An ancient father says that we are better off in the company of a dog we know than in that of a man whose language we do not understand. Therefore those of different nations do not regard one another as men, and how much less friendly is false speech than silence!

一位古代的神父曾說: 我們和一隻相識的狗作伴也比和一個言語不通的人相處好。  (也因為這種想法,古代不同的國族之間往往不肯承認對方也是人。)「所以一個生人對於(另)一個生人, 不能算人。」  何況虛偽的語言比緘默更難交易呢?  




下面這一句是英文翻譯的來源裡,網站附加的。  那看來是一個教書的網站。  我覺得這句話和這篇文章有無比貼砌的地方。  這是馬克吐溫說的。  意思是如果你都說實話, 你就不需要記得任何東西。  

Another quote: 

If you tell the truth, you don't have to remember anything.


Mark Twain (1835-1910, American humorist, writer)

Friday, January 27, 2023

a poem

 《雨ニモマケズ》(不怕風雨) - 宮澤賢治


雨ニモマケズ不要輸給雨
風ニモマケズ不要輸給風
雪ニモ夏ノ暑サニモマケヌ也不要輸給冰雪和夏天的炙熱
丈夫ナカラダヲモチ保持健康的身體
  
慾ハナク沒有貪念
決シテ瞋ラズ絕對不要生氣
イツモシヅカニワラッテヰル總是沉靜的微笑
一日ニ玄米四合ト一日吃四合的糙米
味噌ト少シノ野菜ヲタベ一點味噌和青菜
  
アラユルコトヲ不管遇到甚麼事
ジブンヲカンジョウニ入レズニ先別加入己見
ヨクミキキシワカリ好好的看、聽、了解
ソシテワスレズ而後謹記在心不要忘記
  
野原ノ松ノ林ノ蔭ノ在原野松林的樹蔭中
小サナ萱ブキノ小屋ニヰテ有我棲身的小小的茅草屋
  
東ニ病気ノコドモアレバ東邊若有生病的孩童
行ッテ看病シテヤリ去照顧他的病
  
西ニツカレタ母アレバ西方若有疲倦的母親
行ッテソノ稲ノ束ヲ負ヒ去幫他扛起稻桿
  
南ニ死ニソウナ人アレバ南邊如果有快去世的人
行ッテコハガラナクテモイゝトイヒ去告訴他:不要害怕
  
北ニケンクワヤソショウガアレバ北方如果有吵架的人們
ツマラナイカラヤメロトイヒ去跟他們說:別做這麼無聊的事情了!
  
ヒドリノトキハナミダヲナガシ旱災的時候擔心的流下眼淚
サムサノナツハオロオロアルキ夏季卻寒流來襲,不安的來回踱步
ミンナニデクノボートヨバレ大家說我像個傻子
ホメラレモセズ不需要別人稱讚
クニモサレズ也無須他人為我擔憂
  
サウイフモノニ這就是
ワタシハナリタイ我想成為的人。

(來源: https://www.imagejoy.com/article.php?id=221)

有點驚訝自己竟然無有把這首詩鈔錄下來。  

Thursday, January 12, 2023

fFrom AuntPL's memory 小抄

 幾個月前,和媽媽談起爸爸是個好人。  他說外婆在我們家時,爸爸進門前好幾步遠就大喊著: 「媽媽,媽媽!」  見到外婆後,好像會給外婆一些錢。  媽媽說最近和佩蘭阿姨提起事,佩蘭阿姨也說,在外婆過世後,佩蘭阿姨從美國回來,他在我們家的時候,爸爸也是一進門就喊著: 「妹妹,妹妹!」  見到佩蘭阿姨後,也會從口袋裡掏出一些錢給他用。 很短的小抄,只是想記錄一下。  如果你問我,我記得我爸爸說過哪些話。  我可以很肯定的跟你說,「嘴要甜。」 是我印象很深的一句話。  


另外一句是: 「手掌要向下的,不要向上。」 他的意思是要做個施捨的人,不要做個只會拿東西的。  因為施捨時的手掌是向下的。  而接受的人則相反。  這一點上,我父親在世時,我媽媽也是一樣。   爸爸做醫生的關係,常有人來送禮。  媽媽幾乎是右手收了,左手就給掉了。  即使是現在,媽媽也是一樣。  可是因為和舅舅的關係很不好,有點受到影響。  當然,也因為我真的是很無用。  

我也記得最近媽媽提到, 在爸爸過世後,有一次去買肥皂,他才知道肥皂也滿貴的。  因為我們以前還是會留一些實用的禮物,例如肥皂。  



Wednesday, January 11, 2023

鬱金香 英國愛狄遜

 From Tatler: By the Right Honourable Joseph Addison, Esq

No. 218. Thursday, August 30, 1710.

Scriptorum Chorus omnis amat nemus et fugit urbes.

Hor.

From my own apartment, August 29.

I CHANCED to rise very early one particular morning this summer, and took a walk into the country to di∣vert myself among the fields and meadows, while the green was new, and the flowers in their bloom. As at this season of the year every lane is a beautiful walk, and every hedge full of nosegays, I lost myself with a great deal of pleasure among several thickets and bushes that were filled with a great variety of birds, and an agreeable confusion of notes, which formed the pleasantest scene in the world to one who had passed a whole winter in noise and smoke. The freshness of the dews that lay up∣on every thing about me, with the cool breath of the morning, which inspired the birds with so many delight∣ful instincts, created in me the same kind of animal plea∣sure, and made my heart overflow with such secret emo∣tions of joy and satisfaction as are not to be described or accounted for. On this occasion, I could not but re∣flect upon a beautiful simile in Milton:

As one who long in populous city pent,
Where houses thick, and sewers, annoy the air,
Forth issuing on a summer's morn, to breathe
Among the pleasant villages, and farms
Adjoin'd, from each thing met conceives delight:
The smell of grain, or tedded grass, or kine,
Or dairy, each rural sight, each rural sound.

Those who are conversant in the writings of polite authors, receive an additional entertainment from the country, as it revives in their memories those charming descriptions with which such authors do frequently a∣bound.

I was thinking of the foregoing beautiful simile in Milton, and applying it to myself, when I observed to the windward of me a black cloud falling to the earth in long trails of rain, which made me betake myself for shelter to a house which I saw at a little distance from the place where I was walking. As I sat in the porch, I heard the voices of two or three persons, who seemed very ear∣nest in discourse. My curiosity was raised when I heard the names of Alexander the Great and Artaxerxes; and as their talk seemed to run on ancient heroes, I concluded there could not be any secret in it; for which reason I thought I might very fairly listen to what they said.

After several parallels between great men, which ap∣peared to me altogether groundless and chimerical, I was surprized to hear one say, that he valued the Black Prince more than the duke of Vendosme. How the duke of Ven∣dosme should become a rival of the Black Prince's, I could not conceive: and was more startled when I heard a second affirm with great vehemence, that if the emperor of Germany was not going off, he should like him better than either of them. He added, That though the season was so changeable, the duke of Marlborough was in blom∣ing beauty. I was wondering to myself from whence they had received this odd intelligence, especially when I heard them mention the names of several other great generals, as the prince of Hesse, and the king of Sweden, who, they said, were both running away. To which they added, what I entirely agreed with them in, that the crown of France was very weak, but that the mareschal Villars still kept his colours. At last one of them told the company, if they would go along with him, he would shew them a chimney-sweeper and a painted lady in the same bed, which he was sure would very much please them. The shower which had driven them, as well as myself, into the house, was now over: and as they were passing by me into the garden, I asked them to let me be one of their company.

The gentleman of the house told me, If I delighted in flowers, it would be worth my while, for that he believ∣ed he could shew me such a blow of tulips as was not to be matched in the whole country.

I accepted the offer, and immediately found that they had been talking in terms of gardening, and that the kings and generals they had mentioned were only so many tulips, to which the gardeners, according to their usual custom, had given such high titles and appellations of honour.

I was very much pleased and astonished at the glorious show of these gay vegetables, that arose in great profusion on all the banks about us. Sometimes I considered them with the eye of an ordinary spectator as so many beauti∣ful objects, varnished over with a natural gloss, and stained with such a variety of colours, as are not to be equalled in any artificial dyes or tinctures. Sometimes I considered every leaf as an elaborate piece of tissue, in which the threads and fibres were woven together into different configurations, which gave a different colouring to the light as it glanced on the several parts of the sur∣face.  Sometimes I considered the whole bed of tulips, according to the notion of the greatest mathematician and philosopher that ever lived, as a multitude of optic instruments, designed for the separating light into all those various colours of which it is composed.

I was awakened out of these my philosophical specu∣lations, by observing the company often seemed to laugh at me. I accidentally praised a tulip as one of the finest that I ever saw; upon which they told me, it was a com∣mon fool's-coat. Upon that I praised a second, which it seems was but another kind of fool's-coat. I had the same fate with two or three more; for which reason I desired the owner of the garden to let me know which were the finest of the flowers, for that I was so unskilful in the art, that I thought the most beautiful were the most valu∣able, and that those which had the gayest colours were the most beautiful. The gentleman smiled at my ignorance: he seemed a very plain honest man, and a person of good sense, had not his head been touched with that distemper which Hippocrates calls the Tulippo-Mania, 〈 in non-Latin alphabet 〉; insomuch that he would talk very rationally on any subject in the world but a tulip.

He told me, that he valued the bed of flowers which lay before us, and was not above twenty yards in length, and two in breadth, more than he would the best hundred acres of land in England; and added, that it would have been worth twice the money it is, if a foolish cook-maid of his had not almost ruined him the last winter, by mistaking an handful of tulip-roots for an heap of onions, and by that means, says he, made me a dish of pottage, that cost me above 1000 l. sterling. He then shewed me what he thought the finest of his tulips, which I found received all their value from their rarity and oddness, and put me in mind of your great fortunes, which are not always the greatest beauties.

I have often looked upon it as a piece of happiness, that I have never fallen into any of these fantastical tastes, nor esteemed any thing the more for its being uncommon and hard to be met with. For this reason, I look upon the whole country in spring-time as a spacious garden, and make as many visits to a spot of daisies, or a bank of violets, as a florist does to his borders and parterres. There is not a bush in blossom within a mile of me which I am not acquainted with, nor scarce a daffadil or cow∣slip that withers away in my neighbourhood without my missing it. I walked home in this temper of mind through several fields and meadows with an unspeakable pleasure, not without reflecting on the bounty of providence, which has made the most pleasing and most beautiful ob∣jects the most ordinary and most common.


我在錄音一篇沉櫻翻譯的文章。  我蠻想找找這個英國作者是誰的。  可惜沉櫻的那本書上沒有英文名字。  我只知道書裡講到鬱金香。  查了半天鬱金香都找不到, 最後還是嘗試拼拼看英國作者的名字才找到這篇文章。  而且竟然找到全篇文章。 (來源: https://quod.lib.umich.edu/e/ecco/004786805.0001.000/1:55?rgn=div1;view=fulltext)

 

Tuesday, January 03, 2023

Outfit movie afterthought

 I like the movie.  The acting was top notch, the conversation was engaging.  I think it is like a stage play, also reminded me a bit of noir genre.  

MarkRylance is awesome.  He has such an unassuming demeaner, which fits the role really well.  But it's his subtle movements, which caught by camera that's gripping.  

It's a nice little film.  The ending is cliche.  But it really doesn't hurt the film, for its strength should really come from the process, with conversation, plot twists, and acting.  



Sunday, January 01, 2023

There's a hole in the history of the world

 這世界的歷史有一很多洞。  其中我覺得最大的一塊是新疆以西和歐洲以東的地方。  

我今天寫下這個想法是因為我在找印刷術在世界各地的起源和流傳。  以地區來說,整個華夏地區是一塊,新疆鮮卑是一塊,地中海是和歐洲是一塊,印度是一塊。  但是,在維基裡,提到印刷術只有華夏和歐洲。  我想找找伊朗的印刷術歷史,有的東西不多, 有的也都是回教立國之後。  感覺上,從華夏都歐洲,除了兩個終端有比較詳細的歷史,中間幾乎都是斷掉的。  我是不怎麼相信這裡真沒有東西。  多半是有,但是出不來。  那跟沒有,很像。  


因此,這世界的歷史有個大洞。  

On peace of mind (a second time)

 

On Peace of Mind

"On my head pour only the sweet waters of serenity. Give me the gift of the Untroubled Mind."


Once, as a young man full of exuberant fancy, i undertook to draw up a catalogue of the acknowledged "goods" of life. As other men sometimes tabulate lists of properties they own or would like to own, i set down my inventory of earthly desirables: health, love, beauty, talent, power, riches, and fame.

when my inventory was completed I proudly showed it to a wise elder who had been the mentor and spiritual model of my youth. Perhaps I was trying to impress him with my precocious wisdom. Anyway, i handed him the list. "This", I told him confidently, "is the sum of mortal goods. Could a man possess them all, he would be as a god."

At the corners of my friend's old eyes, I saw wrinkles of amusement gathering in a patient net. "An excellent list," he said, pondering it thoughtfully. "Well digested in contented and set down in not-unreasonable order. But it appears, my young friend, that you have omitted the most important element of all. You have forgotten the one ingredient, lacking which each possession becomes a hideous torment."

"And what," i asked, peppering my voice with truculence, "is that missing ingredient?"

With a pencil stub he crossed out my entire schedule. Then, having demolished my adolescent dream structure at a single stroke, he wrote down three syllables: peace of mind. "This is the gift that God reserves for His special proteges," he said.

"Talent and beauty He gives to many. Wealth is commonplace, fame not rare. But peace of mind -- that is His final guerdon of approval, the fondest insignia of His love. He bestows it charily. Most men are never blessed with it; others wait all their lives -- yes, far into advanced age -- for this gift to descent upon them."



----------------Joshua Loth Liebman


(錄自: 英美名家散文選, 陳淑玲編譯, Bruce S. Stewart 校閱, 學習出版社)

我自己的自己的自己的回憶

 My mom asked me, do you have any happy memory from childhood?  

It's strange.  

I have a lot of those.  But It's hard to put into words.  I have a lot of those, but it's hard to put into words.  

我也就隨想隨寫,既不受時空的限制,也無有任何外部的壓力。  讓我想想。  

我常常在想,我小時候是很快樂的。  在我的印象裡,媽媽,我,和我妹總是在一起,做幾乎所有的事。  去三軍托兒所,去象山,去圓山,逛很多書店,去上英文補習,鋼琴補習,學期腳踏車,學游泳。  還有很多。  家裡請客


我們和爸爸的印象最多的就是他的診所,中正紀念堂,還有兵馬俑展覽,在台灣故宮的對面,還有國父紀念館,看黃飛鴻,看胡金銓導演的最後一部戲,陰陽法王,大嫂家的打牌和請客,程偉朱叔叔家的狗,和小余叔叔他們家在一起。  還有很多。  


我現在很有印象的事就是我從小聽我媽媽說我的身體很弱。  於是她要我和我妹妹去學游泳,希望可以治好氣喘。  那時我們從小的玩伴之一,筱枚和小寶都已是游泳健將了。  我和妹妹才去學。 那是在師大附屬師小的游泳池,好像是一個暑假。  我怎麼都不肯下水,我媽媽是很生氣的,但是那個教練很好有耐心,是個大哥哥。  我妹倒是很快就下水了。  但不知怎的我妹受了傷。  之後我卻肯下水了。  後來,媽媽帶我和妹妹去淡江大學在金華街附近的游泳池去報名游泳。  我記得我們在那裏的會員費可貴了。  但是卻是那附近最靠近我們的游泳池。  我記得我們游到至少小學結束。  一星期至少三次,都是我母親自帶我們去的。  那個游泳池的設備真是一流,也難怪很貴。  後來我再去哪兒游,都沒有那兒好。  我們那時也去過 台北的 ymca 游,但是遠一點,就沒有去。  媽媽矢志要使我們健康強壯。  

媽媽自己不會騎腳踏車。  他也矢志要我們學會騎腳踏車。  那時林慧珠阿姨也同意他的看法,我們要會騎腳踏車。  林阿姨剛好有一部很舊的腳踏車,好像是他姪子的。  剛好適合我們,媽媽就用這一部車子來教我們。  他教我們的方式是,我們在前面踩踏,他在後面扶持。  這樣好幾次,她累得半死,我們還是學不會。  我想我那時是很害怕的。 有一次還是爸爸來帶我們騎。  爸爸也用同樣的方式,他也累得半死,但是我們還是學不會。  爸爸看我們學不會,他就自己騎給我們看。  他人滿大的,其那個小車,卻還滿輕鬆自在地。  之後還是媽媽來帶。  但是無論如何,我們就是學不會。  我的印象裡是,之後媽媽和林慧珠阿姨提到這事(還是別人,我的記憶有點模糊了),他說,應該要讓我們自己來,不要有人在後面扶持。  因為我們的腳可以搆得到地面,我們只要自己一隻腳撐地,然後開始踩踏。 如果一開始如果害怕,就撐一下,停一下。  慢慢的就自己就會了。  我們是在三軍托兒所練習。  我記得,那時試用這個方法,居然很快就會了。  小瑋好像也是如此。  


就先寫到這裡。  看看下次有空再說。  

A poem I saw

 告別

段戎


一切都留在花季裡了。
 

石頭小徑平坦,掌紋
還擱在心的左側   
你來時輕盈,卻重重地
跌進我的眼神


還記得陽光溫暖,我們相互摩挲
像整個世紀
都欠彼此一個吻痕
往返時區如往返諾言
互視成便永恆


只有秋意太急,閉上眼
看見所有信號的枯萎
我們環抱古老的大樹
向它請示花季的盡頭:
「那些看不見的
都在依序發生。」


這個日子於是被定格
你在鏡頭之中
輕得像粒灰塵


Thursday, December 29, 2022

費柏門一家 觀後感

 theFablemans afterthought


我昨晚看了史蒂芬。史匹柏的費柏門一家。  兩個小時半的電影,看起來是一點都不費力。  史導演雕塑電影的能力在這部電影裡很完美的呈現出來。  選角,音樂,攝影,劇本結合在一起,沒有一絲尷尬。  

但是,我要到現在才稍微想到一些東西來說。  

我覺得電影裡有一種極度的渴望,渴望去原諒。  原諒了沒,我覺得不重要,而是從沒有放棄那種渴望。  而且,原諒甚麼,我也不知道。  

電影裡有一些地方我得承認我沒有看懂。  有些對話,我搞不清出他們在講甚麼。  恐怕還得再看一遍。  像是電影後段, 高中欺負他的校園明星,最後跟他說的話,我不懂他們在說啥。  

我在 拯救萊恩大兵的採訪中,已經聽過史導演自己描述幼時在亞利桑那州,自己想法子拍戰爭片的事情。  現在在電影裡看到覺得很是有趣。  另外, 我發現史導演的很多部電影真的就像是把自己的童年重新拿出翻騰。  像是我很喜歡他的 super8,和這部電影有許多類似的地方。  但是這一部或許更是他的勇氣之作,因為之前的作品可以用科幻,象徵,或者冒險來遠離事實。  但是這一部,卻是相反。  而且,他描述的主題是他最親的兩個人, 我覺得真是不可思議。  


這部費柏門一家已是我最近一年裡看的第三部大導演拍攝自已童年的故事的電影了。  之前的兩部是羅馬 (Roma, by alfonsoCuraon), 貝爾法斯特(Belfast, by kennethBranahg).  每一部都很好看。  羅馬需要一點耐性就是了。  

Sunday, December 25, 2022

詩鈔

 送別

席慕蓉


不是所有的夢   都來得及實現
不是所有的話   都來的及告訴你
疚恨總要深植在別離後的心中
儘管   他們說
世間種種最後終必成空
我並不是故意要錯過
可是   我一直都在這樣做
錯過那花滿枝椏的昨日
又要錯過今朝
今朝仍要重複那相同的別離
餘生將成陌路   一去千里
在暮靄裡向你深深俯著
請為我珍重
儘管   他們說
世間種種最後終必   終必成空



在看完您好,母親大人,這是最後一集最後面的的一首詩。  


Saturday, December 24, 2022

嘗試翻譯,然後一點感想

H is for Hawk 


"...and as the cover falls my hawk makes a curious, bewitching movement.  She twitches her head to one side then

當書的封面落下時,我的老鷹做了一個可愛的動作。  他把他的頭一直歪向一邊,

 turns it upside down and continues to regard me with the tip of her beak pointing at the ceiling.  I am astonished. 

幾乎要把頭整個倒過來,鳥嘴尖幾乎朝著天花板,但是兩眼卻始終沒有離開我。  我吃了一驚。

 I've seen this head-turning before.  Baby falcons do it when they play.  But goshawk?  Really?  I pull a sheet of

我看過這種現象,那是雛鷹想玩時的動作。  但蒼鷹也想玩? 搞錯了吧?!  我拿一張

 paper towards me, tear a long strip from one side, scrunch it into a ball, and offer it to the hawk in my fingers. 

紙,撕成長條,揉成一個球狀,用手指拿到蒼鷹的面前。

 She grabs it with her beak.  It crunches.  She likes the sound.  She crunches it again and then lets it drop, turning

他用喙把紙團叼過去。  紙團在他的嘴裡壓出聲響。  他喜歡這聲音。  他再咬一口然後就放開了紙團,讓紙團掉到地上去。

 her head upside down as it hits the floor.  I pick it up and offer it to her again.  She grabs it and bites it very gently

然後他再一次的把頭倒轉過來。  我撿起了紙團又遞給他。  這次他叼過去,輕輕咬啊咬的:   

 over and over again: gnam, gnam, gnam.  She looks like a glove puppet, a Punch and Judy crocoldile.  her eyes

發出咂吧咂吧的聲音。  他看起來好像一個布袋戲裡的布袋娃娃, 一個 胖曲和奺笛的鱷魚娃娃。  他瞇著眼竟然像

 are narrowed in bird-laughter.  I am laughing too.  I roll a magazine into a tube and peer at her through it as if it

笑出聲來。  我也被他逗笑了。  我把一本雜誌捲起來像個管子,然後把眼睛從管子裡望向他

 were a telescope.  She ducks her head to look at me through the hole.  She pushes her beak into it as far as it

,模仿一個望遠鏡。  他低下頭也同我一樣,從管子的另一端望向我。  接著他把鳥嘴盡量向前伸入管子裡,

 will go, biting the empty air inside.  Putting my mouth to my side of my paper telescope I boom into it: "Hello,

好像在管子裡試著咬著假想的東西。  我也把我的嘴湊上了管子,向裡面說 「哈囉,

 Mabel."  She pulls her beak free.  All the feathers on her forehead are raised.  she shakes her tail rapidly from side to side and shivers with happiness.  

美寶。」 管子裡的聲音共鳴著。  他迅速地抽出他的喙。  他前額的所有羽毛都豎起來了。  他快速地左右擺動他的尾巴,身體可以看到快樂的顫抖。  

An obscure shame grips me.  I had a fixed idea of what a goshawk was, just as those Victorian falconers had, and it was not big enough to hold what goshawk are.  No one had ever told me goshawks played.  It was not in the books.  I had not imagined it was possible.  I wondered if it was because no one had ever played with them.  The thought made me terribly sad...."


一股莫名的羞愧襲上我。  我以前對蒼鷹的舊有印象一直都和維多利亞時代的馴鷹人一樣。  這印象猶如井底之蛙,根本不能抓住蒼鷹的全部面貌。  從沒有一個人跟我說蒼鷹也愛玩。  沒有一本書提到過。  我從沒想過這種可能。  我猜會不會是從來沒有人和他們玩。  這種想法讓我很難過。。。


-----------------------------------------------------------


我看完這本書已經是兩星期前了吧。  卻總還是想著這本書。  我覺得這一段其實是一整本書最重要的地方。  一整本書的轉折點,也是一整本書的中心主題。  這書的作者養蒼鷹的目的有一部份是因為蒼鷹的名聲很兇悍,是一種極其難馴的鷹種。  他早年學馴鷹的時候,從不敢去碰的。  但現在因為喪父,心情惡劣到,只想遠離人群,和一隻兇悍蒼鷹生活。  希望可以藉著這隻鷹,使自己忘記過去也不要想到未來。  

他從小對鷹就情有獨鍾,立志要當個馴鷹人。  因此他從小就嗜讀有關馴鷹的書。  歐洲自從十字軍東征後,和阿拉伯文化有了接觸,就開始有了馴鷹的習慣。  而蒼鷹,更是屬於歐洲貴族的專屬,因為要野放蒼鷹的時候需要很大的場地。  也因為有如此長的歷史,很早就有歐洲人把馴鷹的事寫成了書。  作者經常舉例的書裡,就有十七,十八,和十九世紀維多利亞時代的書。  很多這些書對蒼鷹的描述都是兇悍,嗜血, 鬧脾氣,不馴。  

但是當作者開始真正馴養蒼鷹時,卻發現了許多書裡所沒有提到的事情。  我節錄的這一段,就是一個對蒼鷹有新認識的起點。  

這本書有另外三分之一是在描寫另一個作家懷特的書。  我本來以為作者提出懷特養蒼鷹的經驗只是想做一個簡單的對比,對比作者和懷特馴鷹過程的不同。  但是,在經過兩個星期後的沉澱,我覺得不光是這樣。  作家懷特出了一本書描述他自己第一次馴鷹的過程。  這過程實在令我看得很難過,只能用粗暴虐待來形容懷特第一次馴鷹的過程。  我在看得當兒只想把懷特推下懸崖。  作者對懷特的馴鷹一開始主要是引用了一般人對懷特的認識,懷特本身是一個同性戀,當時的英國,同性戀仍是一大禁忌。  而更糟糕的是,懷特自己對自己這個傾向也帶著厭惡。  也因為這樣,他出的這本馴蒼鷹的書,很多人的解讀也是從同性戀壓抑來看。  但是, 我最近想,作者雖也描述了大部分人的看法,但是,作者更看出懷特馴蒼鷹的書其實是真摯地為了馴鷹這份嗜好。  我們看書,是否也因為作者本身是怎樣的,而決定了他的書就是怎樣的?  有趣的是,作者早年看懷特的書,覺得慘不忍睹。  他不了解懷特一個大人為啥把自己馴鷹的失敗寫出來?  大人寫書不都是要教別人怎麼做好一件事嗎?  懷特當年出版馴鷹的書時,也是呈兩極評價。但是現在,作者不再這樣想了。   出版自己失敗的經驗,有時比當作一個專家,專門教導別人,更具實用價值。  

最後,作者提出了一個滿重要的說法。  就是他以前在書上看到人家如何評價蒼鷹,例如說蒼鷹象貴族,蒼鷹象大主教,像一個古埃及的符號。  但是,這些說法只是比喻。  蒼鷹可能象貴族,但是他不是貴族。  他是蒼鷹。  我們人為了要理解這個世界, 往往要派給我們所知道的事物某些意義。  但是這種意義和這些事物本身是不一樣的。  這些意義甚至可能使我們看不清,甚至看不到事物的本質。  


我再節錄一段書裡的文字在此:


"I've learned in my months with Mabel this is the greatest of all: that there is a world of things out there -- rocks and trees and stones and grass and all the things that crawl and run and fly.  They are all things in themselves, but we make them sensible to us by giving them meanings that shore up our own views of the world.  In my time with Mabel I've learned how you feel more human once you have known, even in your imagination, what it is like to be not.  And I have learned, too, the danger that comes in mistaking the wildness that animates it.  Goshawks are things of death and blood and gore, but they are not excuses for atrocities.  Their inhumanity is to be treasured because what they do has nothing to do with us at all.  "  


我和美寶在一起的時光裡, 我學到最寶貴的一課就是: 這個世界充滿了各式各樣的事物,岩石,樹木,石頭,綠草,還有其他會爬會飛會走的各類動物。  他們自成一體,我們為了要了解他們,就賦予了他們各種意義。  但那些意義只是我們各自對這個世界的認知罷了。 和美寶在一起,有時我會想像自己不是人類, 但即使是那樣的幻想裡, 我卻更認識了自己是人類的道理。  也在同一個時間,我也認識到一種危險, 那就是錯把自己幻想成老鷹時好像自己也擁有了老鷹一樣的野性!  蒼鷹是一種帶來死亡與血腥的動物,但是他不應該成為你犯下暴行的藉口。  他們獸性是人類需要尊重的, 因為他們本就不是人啊。  (這個翻譯實在是太爛了)



再補一句話:  SyMontgomery 寫的:

"Our fellow animals teach us lessons about the delights of sameness and difference. They immerse us in wonder. They lead us to humility; they inspire us to reverence. They teach us the many facets of love."

Thursday, December 22, 2022

餘音書鈔

 餘音第十九章: 冷戰


「別太任性。 人和人中間的關係,生氣是沒用的。。。」


「我是 『四十九之非,雖知已晚』。 但是我至少是知非的。 我想你最好也能和我的看法一樣。 你爸爸是有不是的。  這樣你會舒服些,好生氣些。 如果有一天我不在,你也可以寬解些。」

這些話都是餘音裡的老爸勸女兒的話。 

這是我第一千篇網誌。  這句子鈔在這裡實在是有點感想的。  尤其是 「人和人中間的關係,生氣是沒用的。」 這句話。  


  

Tuesday, December 13, 2022

書裡的詩

 餘音,徐鍾珮

作者在第十七章用了一句詩。  我滿喜歡的,去網上查了一下。  更佩服作者把此詩句用在這裡。  

把它抄綠在此:

出自唐代元稹的《遣悲懷三首·其三》

閒坐悲君亦自悲,百年都是幾多時。
鄧攸無子尋知命,潘岳悼亡猶費詞。
同穴窅冥何所望,他生緣會更難期。
惟將終夜常開眼,報答平生未展眉。

注釋
鄧攸:西晉人,字伯道,官河西太守。《晉書·鄧攸傳》載:永嘉末年戰亂中,他舍子保侄,後終無子。
潘岳:西晉人,字安仁,妻死,作《悼亡詩》三首。這兩句寫人生的一切自有命定,暗傷自己無妻無子的命運。
窅冥:音(咬名); 深暗的樣子。

書摘

 H is for Hawk  excerpt


剛看完這本書。  我借借還還這本書至少三四次。  從來沒看完過第二章。  這次又借了。  借了一個多月後,終於看完了。  我很喜歡裡面講馴鷹的地方。  這本書的主題真的很雜。  我想最重要的是如何度過喪親之痛,再來是馴鷹,最後是作者描述他親手馴鷹的過程裡,他對前人馴鷹的感想和印證。  

這邊摘錄的段落可以看出我最喜歡作者馴鷹的過程。  我掙扎了一段時間才看完這本書實在是因為他寫的喪親之痛實在很沉重。  


Chapter 12

...and as the cover falls my hawk makes a curious, bewitching movement.  She twitches her head to one side then turns it upside down and continues to regard me with the tip of her beak pointing at the ceiling.  I am astonished.  I've seen this head-turning before.  Baby falcons do it when they play.  But goshawk?  Really?  I pull a sheet of paper towards me, tear a long strip from one side, scrunch it into a ball, and offer it to the hawk in my fingers.  She grabs it with her beak.  It crunches.  She likes the sound.  She crunches it again and then lets it drop, turning her head upside down at it hits the floor.  I pick it up and offer it to her again.  She grabs it and bites it very gently over and over again: gnam, gnam, gnam.  She looks like a glove puppet, a Punch and Judy crocoldile.  her eyes are narrowed in bird-laughter.  I am laughing too.  I roll a magazine into a tube and peer at her through it as if it were a telescope.  She ducks her head to look at me through the hole.  She pushes her beak into it as far as it will go, biting the empty air inside.  Putting my mouth to my side of my paper telescope I boom into it: "Hello, Mabel."  She pulls her beak free.  All the feathers on her forehead are raised.  she shakes her tail rapidly from side to side and shivers with happiness.  

An obscure shame grips me.  I had a fixed idea of what a goshawk was, just as those Victorian falconers had, and it was not big enough to hold what goshawk are.  No one told had ever told me goshawks played.  It was not in the books.  I had not imagined it was possible.  I wondered if it was because no one had ever played with them.  The thought made me terribly sad....


-------------------

Chapter 24

...  I have spent my evenings playing with Mabel.  I've made her toys out of paper and tissue and car.  She turns her head upside down, puffs out her chin-feathers, squeaks, picks up the toys in her beak, drops them, and preens.  When I throw her balls of scrunched-up paper she catches them in her beak and tosses them back to me with a flick of her head.  Then she crouches, waiting for me to throw them to her again.  It is as good as it gets.  When I told Stuart I played catch with her for a while he didn't believe me....


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Chapter 30

..."An earthquake."  It was an earthquake...in England...And then I remember Mabel.  I've heard all the stories about animals fleeing from earthquakes.  "Oh, God.  She must be terrified.  I race downstairs, three steps a time, burst through the door and turn on the light in her room.  She is asleep.  She wakes, pulls her head from her mantle-feathers and looks at me with clear eyes.  She's surprised to see me.  She yawns, showing her pink mouth like a cat's and its arrowhead tongue with its black tip.  Her creamy underparts are draped right down over her feet. so only one lemony toe and one carbon-black talon are exposed.  Her other foot is drawn high up at her chest.  She felt the tremors.  And then she went back to sleep, entirely unmoved by the moving earth.  The quake brought no panic, and no fear, no sense of wrongness to her at all.  She's at home with the world.  She's here.  She ducks her head upside down, pleased to see me, shakes her feathers into a fluffy mop of contentment, and then, as I sit with her, she slowly closes her eyes, tucks her head back into her feathers, and sleeps.  She is not a duke, a cardinal, a hieroglyph or a mythological beast, but right now Mabel is more than a hawk.  She feels like a protecting spirit....


Sunday, December 04, 2022

隨想

 最近在錄製餘音。  所以甚麼也沒有想說。  


我感覺我愈來愈不會講話了。  心理著實害怕。  但是一點都不知道要怎麼辦。  我心裡真的很害怕。  今天送媽媽去中文聚會所,有人來和我說話,我卻一點都無法回答。  昨天把胡熒阿姨托買的東西送過去,我還滿想聊一聊的, 但是,我講了幾句就知道有點不對勁,我就不怎麼講了。  然後就是聽胡熒阿姨一個人說,我在旁邊應。  最近就連小瑋來講話,我也感覺對的很吃力地應對。  或者是無意識的就走開了。  雖然我事後自己知道這反應是很糟糕的,是我的精神力的下降。  可是我不知道要怎麼辦。  

from where I am standing right now.  There's nothing in the future for me.  I do not understand why I am here.  I feel all contacts right now are either flat lined, or extremely superficial.  But it's not other people's problem.  It's the way I like it.  However, this way brings nothing for me.  I am noting sowing, so  I am not reaping.  I don't want to sow.  So I know I will get nothing in return.  But now I don't know why I want to keep living.  I even feel my speech is gone, I have even less to interact with people.  I just want tok illm yself.  I really do.  There's nothing in front of me.  Bleak darkness, no matter how people treat me with their kindness and love.  I just don't want anything at all.  It used to be a desire.  But now I feel my brain is literally cut off from interacting with people.  Saying hello is hard, looking at other people when talking to them is hard, speaking to people is odd, express myself in any sorts of way is extremely painful.  

I feel only death can bring a swift release.  I just wan toki ll mys elf.