Thursday, December 29, 2022

費柏門一家 觀後感

 theFablemans afterthought


我昨晚看了史蒂芬。史匹柏的費柏門一家。  兩個小時半的電影,看起來是一點都不費力。  史導演雕塑電影的能力在這部電影裡很完美的呈現出來。  選角,音樂,攝影,劇本結合在一起,沒有一絲尷尬。  

但是,我要到現在才稍微想到一些東西來說。  

我覺得電影裡有一種極度的渴望,渴望去原諒。  原諒了沒,我覺得不重要,而是從沒有放棄那種渴望。  而且,原諒甚麼,我也不知道。  

電影裡有一些地方我得承認我沒有看懂。  有些對話,我搞不清出他們在講甚麼。  恐怕還得再看一遍。  像是電影後段, 高中欺負他的校園明星,最後跟他說的話,我不懂他們在說啥。  

我在 拯救萊恩大兵的採訪中,已經聽過史導演自己描述幼時在亞利桑那州,自己想法子拍戰爭片的事情。  現在在電影裡看到覺得很是有趣。  另外, 我發現史導演的很多部電影真的就像是把自己的童年重新拿出翻騰。  像是我很喜歡他的 super8,和這部電影有許多類似的地方。  但是這一部或許更是他的勇氣之作,因為之前的作品可以用科幻,象徵,或者冒險來遠離事實。  但是這一部,卻是相反。  而且,他描述的主題是他最親的兩個人, 我覺得真是不可思議。  


這部費柏門一家已是我最近一年裡看的第三部大導演拍攝自已童年的故事的電影了。  之前的兩部是羅馬 (Roma, by alfonsoCuraon), 貝爾法斯特(Belfast, by kennethBranahg).  每一部都很好看。  羅馬需要一點耐性就是了。  

Sunday, December 25, 2022

詩鈔

 送別

席慕蓉


不是所有的夢   都來得及實現
不是所有的話   都來的及告訴你
疚恨總要深植在別離後的心中
儘管   他們說
世間種種最後終必成空
我並不是故意要錯過
可是   我一直都在這樣做
錯過那花滿枝椏的昨日
又要錯過今朝
今朝仍要重複那相同的別離
餘生將成陌路   一去千里
在暮靄裡向你深深俯著
請為我珍重
儘管   他們說
世間種種最後終必   終必成空



在看完您好,母親大人,這是最後一集最後面的的一首詩。  


Saturday, December 24, 2022

嘗試翻譯,然後一點感想

H is for Hawk 


"...and as the cover falls my hawk makes a curious, bewitching movement.  She twitches her head to one side then

當書的封面落下時,我的老鷹做了一個可愛的動作。  他把他的頭一直歪向一邊,

 turns it upside down and continues to regard me with the tip of her beak pointing at the ceiling.  I am astonished. 

幾乎要把頭整個倒過來,鳥嘴尖幾乎朝著天花板,但是兩眼卻始終沒有離開我。  我吃了一驚。

 I've seen this head-turning before.  Baby falcons do it when they play.  But goshawk?  Really?  I pull a sheet of

我看過這種現象,那是雛鷹想玩時的動作。  但蒼鷹也想玩? 搞錯了吧?!  我拿一張

 paper towards me, tear a long strip from one side, scrunch it into a ball, and offer it to the hawk in my fingers. 

紙,撕成長條,揉成一個球狀,用手指拿到蒼鷹的面前。

 She grabs it with her beak.  It crunches.  She likes the sound.  She crunches it again and then lets it drop, turning

他用喙把紙團叼過去。  紙團在他的嘴裡壓出聲響。  他喜歡這聲音。  他再咬一口然後就放開了紙團,讓紙團掉到地上去。

 her head upside down as it hits the floor.  I pick it up and offer it to her again.  She grabs it and bites it very gently

然後他再一次的把頭倒轉過來。  我撿起了紙團又遞給他。  這次他叼過去,輕輕咬啊咬的:   

 over and over again: gnam, gnam, gnam.  She looks like a glove puppet, a Punch and Judy crocoldile.  her eyes

發出吧咂吧的聲音。  他看起來好像一個布袋戲裡的布袋娃娃, 一個 胖曲和奺笛的鱷魚娃娃。  他瞇著眼居然

 are narrowed in bird-laughter.  I am laughing too.  I roll a magazine into a tube and peer at her through it as if it

笑出聲來。  我也被他逗笑了。  我把一本雜誌捲起來像個管子,然後把眼睛從管子裡望向他

 were a telescope.  She ducks her head to look at me through the hole.  She pushes her beak into it as far as it

,模仿一個望遠鏡。  他低下頭也同我一樣,從管子的另一端望向我。  接著他把鳥嘴盡量向前伸入管子裡,

 will go, biting the empty air inside.  Putting my mouth to my side of my paper telescope I boom into it: "Hello,

好像在管子裡試著咬著假想的東西。  我也把我的嘴湊上了管子,向裡面說 「哈囉,

 Mabel."  She pulls her beak free.  All the feathers on her forehead are raised.  she shakes her tail rapidly from side to side and shivers with happiness.  

美寶。」 管子裡的聲音共鳴著。  他迅速地抽出他的喙。  他前額的所有羽毛都豎起來了。  他快速地左右擺動他的尾巴,身體可以看到快樂的顫抖。  

An obscure shame grips me.  I had a fixed idea of what a goshawk was, just as those Victorian falconers had, and it was not big enough to hold what goshawk are.  No one had ever told me goshawks played.  It was not in the books.  I had not imagined it was possible.  I wondered if it was because no one had ever played with them.  The thought made me terribly sad...."


一股莫名的羞愧襲上我。  我以前對蒼鷹的舊有印象一直都和維多利亞時代的馴鷹人一樣。  這印象猶如井底之蛙,根本不能抓住蒼鷹的全部面貌。  從沒有一個人跟我說蒼鷹也愛玩。  沒有一本書提到過。  我從沒想過這種可能。  我猜會不會是從來沒有人和他們玩。  這種想法讓我很難過。。。


-----------------------------------------------------------


我看完這本書已經是兩星期前了吧。  卻總還是想著這本書。  我覺得這一段其實是一整本書最重要的地方。  一整本書的轉折點,也是一整本書的中心主題。  這書的作者養蒼鷹的目的有一部份是因為蒼鷹的名聲很兇悍,是一種極其難馴的鷹種。  他早年學馴鷹的時候,從不敢去碰的。  但現在因為喪父,心情惡劣到,只想遠離人群,和一隻兇悍蒼鷹生活。  希望可以藉著這隻鷹,使自己忘記過去也不要想到未來。  

他從小對鷹就情有獨鍾,立志要當個馴鷹人。  因此他從小就嗜讀有關馴鷹的書。  歐洲自從十字軍東征後,和阿拉伯文化有了接觸,就開始有了馴鷹的習慣。  而蒼鷹,更是屬於歐洲貴族的專屬,因為要野放蒼鷹的時候需要很大的場地。  也因為有如此長的歷史,很早就有歐洲人把馴鷹的事寫成了書。  作者經常舉例的書裡,就有十七,十八,和十九世紀維多利亞時代的書。  很多這些書對蒼鷹的描述都是兇悍,嗜血, 鬧脾氣,不馴。  

但是當作者開始真正馴養蒼鷹時,卻發現了許多書裡所沒有提到的事情。  我節錄的這一段,就是一個對蒼鷹有新認識的起點。  

這本書有另外三分之一是在描寫另一個作家懷特的書。  我本來以為作者提出懷特養蒼鷹的經驗只是想做一個簡單的對比,對比作者和懷特馴鷹過程的不同。  但是,在經過兩個星期後的沉澱,我覺得不光是這樣。  作家懷特出了一本書描述他自己第一次馴鷹的過程。  這過程實在令我看得很難過,只能用粗暴虐待來形容懷特第一次馴鷹的過程。  我在看得當兒只想把懷特推下懸崖。  作者對懷特的馴鷹一開始主要是引用了一般人對懷特的認識,懷特本身是一個同性戀,當時的英國,同性戀仍是一大禁忌。  而更糟糕的是,懷特自己對自己這個傾向也帶著厭惡。  也因為這樣,他出的這本馴蒼鷹的書,很多人的解讀也是從同性戀壓抑來看。  但是, 我最近想,作者雖也描述了大部分人的看法,但是,作者更看出懷特馴蒼鷹的書其實是真摯地為了馴鷹這份嗜好。  我們看書,是否也因為作者本身是怎樣的,而決定了他的書就是怎樣的?  有趣的是,作者早年看懷特的書,覺得慘不忍睹。  他不了解懷特一個大人為啥把自己馴鷹的失敗寫出來?  大人寫書不都是要教別人怎麼做好一件事嗎?  懷特當年出版馴鷹的書時,也是呈兩極評價。但是現在,作者不再這樣想了。   出版自己失敗的經驗,有時比當作一個專家,專門教導別人,更具實用價值。  

最後,作者提出了一個滿重要的說法。  就是他以前在書上看到人家如何評價蒼鷹,例如說蒼鷹象貴族,蒼鷹象大主教,像一個古埃及的符號。  但是,這些說法只是比喻。  蒼鷹可能象貴族,但是他不是貴族。  他是蒼鷹。  我們人為了要理解這個世界, 往往要派給我們所知道的事物某些意義。  但是這種意義和這些事物本身是不一樣的。  這些意義甚至可能使我們看不清,甚至看不到事物的本質。  


我再節錄一段書裡的文字在此:


"I've learned in my months with Mabel this is the greatest of all: that there is a world of things out there -- rocks and trees and stones and grass and all the things that crawl and run and fly.  They are all things in themselves, but we make them sensible to us by giving them meanings that shore up our own views of the world.  In my time with Mabel I've learned how you feel more human once you have known, even in your imagination, what it is like to be not.  And I have learned, too, the danger that comes in mistaking the wildness that animates it.  Goshawks are things of death and blood and gore, but they are not excuses for atrocities.  Their inhumanity is to be treasured because what they do has nothing to do with us at all.  "  


再補一句話:  SyMontgomery 寫的:

"Our fellow animals teach us lessons about the delights of sameness and difference. They immerse us in wonder. They lead us to humility; they inspire us to reverence. They teach us the many facets of love."

Thursday, December 22, 2022

餘音書鈔

 餘音第十九章: 冷戰


「別太任性。 人和人中間的關係,生氣是沒用的。。。」


「我是 『四十九之非,雖知已晚』。 但是我至少是知非的。 我想你最好也能和我的看法一樣。 你爸爸是有不是的。  這樣你會舒服些,好生氣些。 如果有一天我不在,你也可以寬解些。」

這些話都是餘音裡的老爸勸女兒的話。 

這是我第一千篇網誌。  這句子鈔在這裡實在是有點感想的。  尤其是 「人和人中間的關係,生氣是沒用的。」 這句話。  


  

Tuesday, December 13, 2022

書裡的詩

 餘音,徐鍾珮

作者在第十七章用了一句詩。  我滿喜歡的,去網上查了一下。  更佩服作者把此詩句用在這裡。  

把它抄綠在此:

出自唐代元稹的《遣悲懷三首·其三

閒坐悲君亦自悲,百年都是幾多時。
鄧攸無子尋知命,潘岳悼亡猶費詞。
同穴窅冥何所望,他生緣會更難期。
惟將終夜常開眼,報答平生未展眉。

注釋
鄧攸:西晉人,字伯道,官河西太守。《晉書·鄧攸傳》載:永嘉末年戰亂中,他舍子保侄,後終無子。
潘岳:西晉人,字安仁,妻死,作《悼亡》三首。這兩句寫人生的一切自有命定,暗傷自己無妻無子的命運。
窅冥:音(咬名); 深暗的樣子。

書摘

 H is for Hawk  excerpt


剛看完這本書。  我借借還還這本書至少三四次。  從來沒看完過第二章。  這次又借了。  借了一個多月後,終於看完了。  我很喜歡裡面講馴鷹的地方。  這本書的主題真的很雜。  我想最重要的是如何度過喪親之痛,再來是馴鷹,最後是作者描述他親手馴鷹的過程裡,他對前人馴鷹的感想和印證。  

這邊摘錄的段落可以看出我最喜歡作者馴鷹的過程。  我掙扎了一段時間才看完這本書實在是因為他寫的喪親之痛實在很沉重。  


Chapter 12

...and as the cover falls my hawk makes a curious, bewitching movement.  She twitches her head to one side then turns it upside down and continues to regard me with the tip of her beak pointing at the ceiling.  I am astonished.  I've seen this head-turning before.  Baby falcons do it when they play.  But goshawk?  Really?  I pull a sheet of paper towards me, tear a long strip from one side, scrunch it into a ball, and offer it to the hawk in my fingers.  She grabs it with her beak.  It crunches.  She likes the sound.  She crunches it again and then lets it drop, turning her head upside down at it hits the floor.  I pick it up and offer it to her again.  She grabs it and bites it very gently over and over again: gnam, gnam, gnam.  She looks like a glove puppet, a Punch and Judy crocoldile.  her eyes are narrowed in bird-laughter.  I am laughing too.  I roll a magazine into a tube and peer at her through it as if it were a telescope.  She ducks her head to look at me through the hole.  She pushes her beak into it as far as it will go, biting the empty air inside.  Putting my mouth to my side of my paper telescope I boom into it: "Hello, Mabel."  She pulls her beak free.  All the feathers on her forehead are raised.  she shakes her tail rapidly from side to side and shivers with happiness.  

An obscure shame grips me.  I had a fixed idea of what a goshawk was, just as those Victorian falconers had, and it was not big enough to hold what goshawk are.  No one told had ever told me goshawks played.  It was not in the books.  I had not imagined it was possible.  I wondered if it was because no one had ever played with them.  The thought made me terribly sad....


-------------------

Chapter 24

...  I have spent my evenings playing with Mabel.  I've made her toys out of paper and tissue and car.  She turns her head upside down, puffs out her chin-feathers, squeaks, picks up the toys in her beak, drops them, and preens.  When I throw her balls of scrunched-up paper she catches them in her beak and tosses them back to me with a flick of her head.  Then she crouches, waiting for me to throw them to her again.  It is as good as it gets.  When I told Stuart I played catch with her for a while he didn't believe me....


------------------

Chapter 30

..."An earthquake."  It was an earthquake...in England...And then I remember Mabel.  I've heard all the stories about animals fleeing from earthquakes.  "Oh, God.  She must be terrified.  I race downstairs, three steps a time, burst through the door and turn on the light in her room.  She is asleep.  She wakes, pulls her head from her mantle-feathers and looks at me with clear eyes.  She's surprised to see me.  She yawns, showing her pink mouth like a cat's and its arrowhead tongue with its black tip.  Her creamy underparts are draped right down over her feet. so only one lemony toe and one carbon-black talon are exposed.  Her other foot is drawn high up at her chest.  She felt the tremors.  And then she went back to sleep, entirely unmoved by the moving earth.  The quake brought no panic, and no fear, no sense of wrongness to her at all.  She's at home with the world.  She's here.  She ducks her head upside down, pleased to see me, shakes her feathers into a fluffy mop of contentment, and then, as I sit with her, she slowly closes her eyes, tucks her head back into her feathers, and sleeps.  She is not a duke, a cardinal, a hieroglyph or a mythological beast, but right now Mabel is more than a hawk.  She feels like a protecting spirit....


Sunday, December 04, 2022

隨想

 最近在錄製餘音。  所以甚麼也沒有想說。  


我感覺我愈來愈不會講話了。  心理著實害怕。  但是一點都不知道要怎麼辦。  我心裡真的很害怕。  今天送媽媽去中文聚會所,有人來和我說話,我卻一點都無法回答。  昨天把胡熒阿姨托買的東西送過去,我還滿想聊一聊的, 但是,我講了幾句就知道有點不對勁,我就不怎麼講了。  然後就是聽胡熒阿姨一個人說,我在旁邊應。  最近就連小瑋來講話,我也感覺對的很吃力地應對。  或者是無意識的就走開了。  雖然我事後自己知道這反應是很糟糕的,是我的精神力的下降。  可是我不知道要怎麼辦。  

from where I am standing right now.  There's nothing in the future for me.  I do not understand why I am here.  I feel all contacts right now are either flat lined, or extremely superficial.  But it's not other people's problem.  It's the way I like it.  However, this way brings nothing for me.  I am noting sowing, so  I am not reaping.  I don't want to sow.  So I know I will get nothing in return.  But now I don't know why I want to keep living.  I even feel my speech is gone, I have even less to interact with people.  I just want tok illm yself.  I really do.  There's nothing in front of me.  Bleak darkness, no matter how people treat me with their kindness and love.  I just don't want anything at all.  It used to be a desire.  But now I feel my brain is literally cut off from interacting with people.  Saying hello is hard, looking at other people when talking to them is hard, speaking to people is odd, express myself in any sorts of way is extremely painful.  

I feel only death can bring a swift release.  I just wan toki ll mys elf.